My paintings are pretty much still wet but they can be painted on in areas. The landscape is the one painting that was for the most part dry. I’m using an old school medium made up of different mediums that dry slowly. This summer when I’ll be painting on the road I’ll have to use a fast drying alkyd medium. Made some progress on the landscape,
All of my paintings are wet so I’ll tie some flies for this summer. I’ll be fishing hopper/dropper rigs which is a small grasshopper or a big buoyant dry fly and a nymph dropper. I want to try a very popular nymph, the Perdigon. It’s a very sparse fly, designed to sink fast into a little pocket on a small stream. I made the “hot spot” a little big.
Painted the first step of plate and cup in Painting #2 and worked on the sky in Landscape-Original #1. Much more work to do on the sky.
Here are the two campgrounds I will be camped at all summer in the Bighorns. At North Tongue River Campground I will be at site #8 most of the time and at Tie Flume Campground I will be at site #21 most of the time.
No painting today. Glued four pieces of Belgium Linen to 3/8″ masonite panels, two 11″ x 14″s and two 8″ x 10″s. I want to take four 8″ x 10″ panels and four 11″ x 14″ panels on my trip to the Bighorns this summer.
Did more work on what I’m creatively calling Still Life #2. I regret using a pen to draw the grid. It isn’t easy to cover the grid with one coat of paint so this is a base layer.
Started the backgrounds of two still life paintings.
Today I didn’t paint. Instead I constructed two wet oil panel storage boxes, one for 8″ x 10” panels and one for 11″ x 14″ panels which are standard frame sizes. Each box will hold 4 panels. Oil paint takes at the minimum days to dry so you need somewhere to put them, especially on the road. You can buy these boxes but they are expensive and only one or two sizes are available. For a couple of decades I’ve thought of buying a French Easel which is for Plein Air Painting (painting outside).
The easel was 40% off so I snatched it up. It’s a popular brand.
Beginning June 1st I’ll be camping in the Bighorn Mountains for 100 days. There’s no shortage of subject matter for paintings, especially on the west side of the mountains.
Started the backgrounds
This is the way it goes. Mix the paints I’ll use on my glass palette and transfer the paints to the old school beechwood palette that can be held while painting. I laminated the photo so I can mix a color I need then actually paint a very small spot on the laminated photo to see if I got it close enough. I also have a “color checker” that a friend made for me a while ago. You mix the paint and put a little bit on the tip of the color checker. Then “aim” the color checker at the color on the photo you are trying to duplicate and see if the color on the tip of the color checker matches the color on the photo.
Painted the thin strip of distant hills and slopped some paint on the middle and foreground to block it in a little bit. It isn’t easy, at least for me, to get everything in the right location.
We all know about Linear Perspective, things getting smaller as they become more distant. There is also Atmospheric Perspective. As things become more distant, colors become duller and fainter, and things become fuzzier.
